

Something as disastrous as black magic is supported by Aditya for some flimsy reasons. Herein lies the greatest folly of Raaz 3's concept. This must certainly be covered in Acting 101, and Esha Gupta does that just fine, except for the times her diction goes off.īang between the two is gray Aditya ( Emraan Hashmi) who is caught between what seems like duty and love. Which basically translates to her screaming and getting scared a whole lot. If Bipasha plays the dark witch, Shanaya, Esha Gupta is the purest of pure whites, Sanjana. Somehow the character's arc sounds way too similar to that from Heroine except the black magic part, hopefully.

But what you see in the trailer, is just about what she maintains for the length of the film. Sure, you get to see Bipasha Basu in a viciously negative role and you do wish death upon her. Milliblog - "Mixed bag of a soundtrack by Jeet, despite his Bengali original reuse."ĭunkdaft - "Not a fan of the music of this series, but this, is simply below the levels of previous ones." Why would I look forward to flying cockroaches, in 3D at that? creeps yuck uggh Yeah, yeah, even if that is the reaction they are aiming for. So, here we are, yet another horror flick from the Bhatt group with what looks like very little new to offer.

Even if there is an over-powering presence of Bipasha Basu as the devil. I guess, then the fortunate bit is most Bhatt films don't manage to hold on to that feeling, which in turn makes it an average horror film. What's in it to look forward to even if it is for one scene? The flip side is I hate that creepy-crawly feeling that horror films manage to create under your skin. That's good only because that is what they intend to. There is at least one sequence in every film that manages to gross you out or make you edgy. The good thing is they do a decent job of creeping you out. So lavish homes, pretty women either scaring or getting scared, savior hero, stage is set. We have what, one Bhatt film a month, these days? Or at least, that's what it seems like.
